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Towards the end of the 19th century, the master jewelers of the Western world began to shed the 18th-century anonymity unde***hich such artist-craftsmen had generally worked. They emerged as individual voices, discarding the bland, predictable standards of the earlier era in jewelry design in favour of evocative new creati***. The renowned designers whose work is featured in this book can be instantly identified by their particular interests and discoveries. Carl Faberge emphasized originality of design and the quality of craftsmanship, rather than the intrinsic value of the materials used. Castellani is known for his nostalgic glances back at Etruscan gold work; Rene Lalique was irresistibly fascinated by the strange forms he adapted from nature. The searching, critical eye of a Cartier or a Boucheron lent chic to their beloved abstract patterns. In fifteen chapters each written by leading experts in the field, the world of fine jewelry, encompassing its social, aesthetic and business ***ects from around 1850 to the present day, springs to life. The magnificent illustrati*** display extraordinary confecti*** of gold, silver and platinum, gems cut and polished in every conceivable fashion, and enamels, translucent, opaque or as clear as stained-glass windows - all designed and executed to enhance the allure of the people fortunate enough to wear them.

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编辑推荐

　　A fascinating panorama of creative personalities’ – Country

Life

　　Irresistible . . . combines breathtaking pictures with

biographies of the craftsmen’ – Country Living

　　The gleam of gold and the white fire of diamonds are gloriously

reproduced’ – Orient Express Magazine

　　Towards the end of the nineteenth century, the master jewelers of

the Western world began to emerge as individual voices, each with a

unique and recognizable accent. As a result, the celebrated

designers whose work is featured in this book can be instantly

identified.

　　Castellani, for example, is known for his nostalgic glances back

at Etruscan gold work. Fabergé emphasized originality of design and

the quality of craftsmanship rather than the intrinsic value of the

materials used. Lalique was fascinated by the strange forms he

adapted from nature. And the searching, critical eye of a Cartier

or a Boucheron could lend chic to their beloved abstract

patterns.

　　The magnificent illustrati*** offer faithful representati*** of

extraordinary confecti*** of gold, silver and platinum, gems cut

and polished in every conceivable fashion, and enamels,

translucent, opaque, or as clear as stained glass windows – all

designed and made to enhance the charm and allure of the people

fortunate enough to wear them.

　　In fifteen chapters written by leading experts in the field, the

world of fine jewelry, including its social, aesthetic and business

***ects from around 1850 to our own day is brought vividly to

life.

书籍介绍

Towards the end of the 19th century, the master jewelers of the Western world began to shed the 18th-century anonymity unde***hich such artist-craftsmen had generally worked. They emerged as individual voices, discarding the bland, predictable standards of the earlier era in jewelry design in favour of evocative new creati***. The renowned designers whose work is featured in this book can be instantly identified by their particular interests and discoveries. Carl Faberge emphasized originality of design and the quality of craftsmanship, rather than the intrinsic value of the materials used. Castellani is known for his nostalgic glances back at Etruscan gold work; Rene Lalique was irresistibly fascinated by the strange forms he adapted from nature. The searching, critical eye of a Cartier or a Boucheron lent chic to their beloved abstract patterns. In fifteen chapters each written by leading experts in the field, the world of fine jewelry, encompassing its social, aesthetic and business ***ects from around 1850 to the present day, springs to life. The magnificent illustrati*** display extraordinary confecti*** of gold, silver and platinum, gems cut and polished in every conceivable fashion, and enamels, translucent, opaque or as clear as stained-glass windows - all designed and executed to enhance the allure of the people fortunate enough to wear them.