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Adams began to p***ograph in colour in the mid-1930s. He did significant personal or 'creative' p***ography in colour and his distinctive visualisation of a scene and technical mastery is immediately evident in these p***ographs. Overall, he made nearly 3,500 colour images, but only a small fraction have ever been published. Adams thought seriously about publishing his colour images but the task was not accomplished during his lifetime. The Ansel Adams Publishing Rights Trust - with advice and counsel from John Szarkowski, former Director of P***ography at New York's Museum of Modern Art; David Travis, Curator of P***ographs at the Art Institute of Chicago and James Enyeart, former Director of the International Museum of P***ography at Ge***e Eastman House--asked the distinguished master p***ographer Harry C***n to select the best of Adams' colou***ork for publication in this book.

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Adams began to p***ograph in colour in the mid-1930s. He did significant personal or 'creative' p***ography in colour and his distinctive visualisation of a scene and technical mastery is immediately evident in these p***ographs. Overall, he made nearly 3,500 colour images, but only a small fraction have ever been published. Adams thought seriously about publishing his colour images but the task was not accomplished during his lifetime. The Ansel Adams Publishing Rights Trust - with advice and counsel from John Szarkowski, former Director of P***ography at New York's Museum of Modern Art; David Travis, Curator of P***ographs at the Art Institute of Chicago and James Enyeart, former Director of the International Museum of P***ography at Ge***e Eastman House--asked the distinguished master p***ographer Harry C***n to select the best of Adams' colou***ork for publication in this book.