I, Juan de Pareja 我，胡安·德·朴瑞哈 1966年纽伯瑞金奖小说 I***N 9780312380052 下载 pdb txt pdf 百度云 kindle umd 夸克云

　　When the great Velázquez was painting his masterpieces at

the Spanish court in the seventeenth century, his colors were

expertly mixed and his canvases carefully prepared by his slave,

Juan de Pareja. In a vibrant novel which depicts both the beauty

and the cruelty of the time and place, Elizabeth Borton de Trevi?o

tells the story of Juan, who was born a slave and died an

accomplished and respected artist.

Upon the death of his indulgent mistress

in Seville, Juan de Pareja was uprooted from the only home he had

known and placed in the charge of a vicious gypsy muleteer to be

sent north to his mistress’s nephew and heir, Diego Velázquez, who

recognized at once the intelligence and gentle breeding which were

to make Juan his indispensable assistant and companion—and his

lifelong friend.

Through Juan’s eyes the reader sees

Velázquez’s delightful family, his working habits and the character

of the man, his relati*** with the shy yet devoted King Philip IV

and with his fellow painters, Rubens and Murillo, the climate and

customs of Spanish court life. When Velázquez discovers that he and

Juan share a love for the art which is his very life, the painter

proves his friendship in the most incredible fashion, for in those

days it was forbidden by law for slaves to learn or practice the

arts. Through the hardships of voyages to Italy, through the

illnesses of Velázquez, Juan de Pareja loyally serves until the

death of the painter in 1660.

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　　This Spanish translation of the historical novel "I, Juan De

Pareja" is based on the life of Juan de Pareja, the black assistant

to the 17th-century Spanish painter Velazquez. Newbery Medal

Book.

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When the great Velázquez was painting his masterpieces at the Spanish court in the seventeenth century, his colors were expertly mixed and his canvases carefully prepared by his slave, Juan de Pareja. In a vibrant novel which depicts both the beauty and the cruelty of the time and place, Elizabeth Borton de Treviño tells the story of Juan, who was born a slave and died an accomplished and respected artist.

Upon the death of his indulgent mistress in Seville, Juan de Pareja was uprooted from the only home he had known and placed in the charge of a vicious gypsy muleteer to be sent north to his mistress’s nephew and heir, Diego Velázquez, who recognized at once the intelligence and gentle breeding which were to make Juan his indispensable assistant and companion—and his lifelong friend.

Through Juan’s eyes the reader sees Velázquez’s delightful family, his working habits and the character of the man, his relati*** with the shy yet devoted King Philip IV and with his fellow painters, Rubens and Murillo, the climate and customs of Spanish court life. When Velázquez discovers that he and Juan share a love for the art which is his very life, the painter proves his friendship in the most incredible fashion, for in those days it was forbidden by law for slaves to learn or practice the arts. Through the hardships of voyages to Italy, through the illnesses of Velázquez, Juan de Pareja loyally serves until the death of the painter in 1660.