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内容简介:
Based on unprecedented research in Cuba, the direct testimony
of scores of Cuban musicians, and the author's unique experience as
a prominent jazz musician, Cubano Be, Cubano Bop is destined to
take its place among the classics of jazz history. The work pays
tribute not only to a distinguished lineage of Cuban jazz musicians
and composers, but also to the rich musical exchanges between Cuban
and American jazz throughout the twentieth century.
The work begins with the first encounters between Cuban music and
jazz around the turn of the last century. Acosta writes about the
presence of Cuban musicians in New Orleans and the “Spanish tinge”
in early jazz from the city, the formation and spread of the first
jazz ensembles in Cuba, the big bands of the thirties, and the
inception of “Latin jazz.” He explores the evolution of Bebop,
Feeling, and Mambo in the forties, leading to the explosion of
Cubop or Afro-Cuban jazz and the innovati*** of the legendary
musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and
Chano Pozo. The work concludes with a new generation of Cuban jazz
artists, including the Grammy award-winning musicians and composers
Chucho Valdés and Paquito D’Rivera.
书籍目录:
Foreword by Paquito D'Rivera
Preface by Raul Fernaindez
Introduction
Acknowledgments
Cuban Music and Jazz: First Encounters
The Twenties and the First Jazz Ensembles
The Big Bands and the Contradictory IUos
The Forties: Bebop, Feeling, and Mambo
The Explosion of Cubop or Afro-Cuban Jazz
Havana in the i95os
End of the Decade: The Club Cubano de Jazz
MusicalTransition: I959 and After
Irakere and the Takeoff of Cuban Jazz
Postscript
Notes
Glossary
Interviews and Conversati***
Index
作者介绍:
Leonardo Acosta is the author of more than a dozen books on
music and li***ry criticism, as well as fiction and poetry. He
lives in Havana, Cuba.
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书籍介绍
Based on unprecedented research in Cuba, the direct testimony of scores of Cuban musicians, and the author's unique experience as a prominent jazz musician, Cubano Be, Cubano Bop is destined to take its place among the classics of jazz history. The work pays tribute not only to a distinguished lineage of Cuban jazz musicians and composers, but also to the rich musical exchanges between Cuban and American jazz throughout the twentieth century.
The work begins with the first encounters between Cuban music and jazz around the turn of the last century. Acosta writes about the presence of Cuban musicians in New Orleans and the “Spanish tinge” in early jazz from the city, the formation and spread of the first jazz ensembles in Cuba, the big bands of the thirties, and the inception of “Latin jazz.” He explores the evolution of Bebop, Feeling, and Mambo in the forties, leading to the explosion of Cubop or Afro-Cuban jazz and the innovati*** of the legendary musicians and composers Machito, Mario Bauzá, Dizzy Gillespie, and Chano Pozo. The work concludes with a new generation of Cuban jazz artists, including the Grammy award-winning musicians and composers Chucho Valdés and Paquito D’Rivera.
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